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Essay on the marriage of figaro

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Write an interpretive essay discussing the humorous and serious characters in The Marriage of Figaro, relating them to the opera's theme of love and heartbreak. Are the lines absolute between comic and tragic characters? How do certain arias, ensembles, or scenes best reveal the individual personalities of the characters? Body of essay:discuss how scenes and music establish characters and themes; how scenes and music relate to or build on previous scenes and music and contribute to the characters and theme.
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The Marriage of Figaro by Wolfgang Amadeus Mozart

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The Marriage of Figaro Essay Questions | GradeSaver

The purpose of this paper is to introduce, discuss, and analyze the opera "The Marriage of Figaro" by Wolfgang Amadeus Mozart. Specifically it will discuss how the plot of the opera could be updated to modern times. The Count Almaviva and Countess Rosina are the main characters, and Figaro who is the Count's valet , and his bride-to-be Susanna are the other couple in the affair. The Count wants to have an affair with Susanna, and the Countess finds out, and conspires with Susanna and Figaro to humiliate the Count. To top it off, another character, Cheribino, is interested in the Countess, which the Count does not like at all. The plot of this comic opera all revolves around love triangles and misplaced affections. It is not realistic in that the various sub-plots and situations are not based on reality, nor are many of the character's solutions.
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Figaro Social Class

It is interesting to analyse the changes and developments from opera seria to these two examples. During the eighteenth century, composers wrote in a style of opera called opera seria. The opera always consisted of three acts with alternating recitatives and arias. To show the virtuosic skill of the singer, cadenzas were used within arias.
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The central comedic aspects are physical in nature, and often involve dramatic irony. An example of this is the first act, when both Hannibal and the count are concerned about being caught alone in a bedroom with Susan and uses the large armchair for cover. Then, later, when Hannibal is dressed in Susan's clothes, he must first hide in the dressing room and then jump out the window in her clothes to escape the notice of the count. Additionally, there is a great deal of humor in the disguises that the countess and Susan assume at the end, and the fact that the count cannot even recognize his own wife. The humor of the play often involves dramatic irony, physically suspenseful and ridiculous situations, and mistaken identity.
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