Book: The Phantom of the Opera. Topics: Criticism , Literary Analysis. In the movie The Phantom of the Opera, you can see symbolism practically everywhere. It is a huge part of the movie, in my opinion.
Phantom of the Opera
1 : Chapter I Is it the Ghost?
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality study guides that feature detailed chapter summaries and analysis of major themes, characters, quotes, and essay topics. The Phantom of the Opera was first published in Since then it has been made into several well-known films, including the remake that stars Gerard Butler, Emmy Rossum and Minnie Driver. The work is perhaps best known as one of the most successful musicals of all time with music by Andrew Lloyd Weber. The book begins with a prologue, where the narrator explains his research for bringing this astounding legend of the phantom together some thirty odd years after the events took place.
Analysis Of Phantom Of The Opera
Gaston Leroux's novel The Phantom of the Opera , first published in , remained a perennial favorite throughout the twentieth century and into the early s. It was adapted to several popular motion pictures and into one of the most successful stage musicals of all time. Its main character, Erik, is a romantic figure whose appeal reaches across different cultures and times. He is a sensitive soul, an accomplished composer and musician whose great unfinished work, Don Juan Triumphant , is described as breathtakingly beautiful by the one person he allows to hear it; he is an object of pity, whose face has been disfigured from birth, causing him to hide behind a silk mask; and he is hopelessly in love with a young woman whom he can never seriously hope will love him back.
The cadenzas of violin and piano concertos emerged, in large part, from an attempt to replicate some of opera's vocal intensity. Opera will continue to be a dynamic art form. Bibliography Boynick, Matt. Archetypal Characters and Symbols in The Phantom of the Opera The story of The Phantom of the Opera appeals to many types of personalities and people of all ages because of its archetypal characters and patterns. Carl Jung theorized that we are born with innate tendencies to perceive things a certain way: "a kind of readiness to reproduce over and over again the same or similar mythical ideas.