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Text (literary theory)
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A miss-speech is considered malapropism when it sounds similar to the word it replaces, but has an entirely different meaning. For instance, replacing acute with obtuse is not a malapropism because the words have contrasting meanings, but do not sound similar. Using obtuse for abstruse , on the other hand, is a malapropism, as there is a difference in meanings, and both words sound similar. These characteristics makes malapropism different from other errors in speech, such as eggcorns and spoonerisms. Malapropism is a common phenomenon in our daily life. We find some hilarious Malapropism examples being quoted in the media.
Rhetorical Analysis Definition and Examples
In literary theory , a text is any object that can be "read", whether this object is a work of literature, a street sign, an arrangement of buildings on a city block, or styles of clothing. It is a coherent set of signs that transmits some kind of informative message. Within the field of literary criticism , "text" also refers to the original information content of a particular piece of writing; that is, the "text" of a work is that primal symbolic arrangement of letters as originally composed, apart from later alterations, deterioration, commentary, translations, paratext , etc. Therefore, when literary criticism is concerned with the determination of a "text", it is concerned with the distinguishing of the original information content from whatever has been added to or subtracted from that content as it appears in a given textual document that is, a physical representation of text.
As a literary device, diction refers to the linguistic choices made by a writer to convey an idea or point of view , or tell a story, in an effective way. Therefore, analyzing the style of a work of literature is an attempt to identify and understand diction—the type and quality of individual words that comprise the vocabulary of the work. Diction is closely connected to characterization. The words associated with a literary character represent their ideals, values, and attitudes. In this passage, Henry Higgins reveals his preoccupation with how a person speaks and articulates themselves as a reflection and societal measurement of who they are as a human being.